Just Cut Out All The Males In This Picture And You'll Have A Great Movie!! Call It 'Wonder Woman 2', Not 'Justice League'.
Like the comic books, DC's movies generally suck too! Check out this review -see link. It's pathetic.
Saving The Universe Is Like Stand Up Comedy, Folks! All You Need Is An Audience Willing To Laugh And Not Be Too Critical
'THOR: RAGNAROK' REVIEW
The lowdown: A bunch of formerly serious god-adventurers and super heroes devolve into a group of clowns who didn't stop to shed a single tear at the destruction of their interdimensional(?) homeland, Asgard, by a giant fiery creature from the ancient Norse religious equivalent of Hell. Why? Because they were having too much of a good time!! Tossing jokes left and right, making sure that nobody in the audience had a dark thought in them so that the bucks would magically come flying out of their pockets through the magic of REPEAT VIEWINGS (never to be underestimated!)
PRODUCED BY: Ringling Bros. and Barnum & Bailey Circus
DIRECTED BY: Ringmaster Taika Waititi
STARRING: In Run Away To Join Order...
-Chris Hemworth as The Strong Man
-Tom Hiddleston as The (evil) Clown
-Cate Blanchette as The Beardless Lady
-Idris Elba as The Sword Swallower
-Jeff Goldblum as Ex Jurrasic Park Actor Jeff Goldblum
-Tessa Thompson as The Mary Sue (the tumbler, the trapez artist, the unicycle rider, the contortionist, the half-wolf girl, etc. etc.)
-Karl Urban as Officer Dredd (in charge of Circus Security)
-Mark Ruffalo as The Big Green Human Cannonball
-Anthony Hopkins as The Lost Old Man That Wanders Too Close To The Lion Cage And Dies By Paw Swipe
-Benedict Cumberbatch as Doctor Even Stranger That He's In This Movie With No Real Purpose Other Than For The Audience To Not Forget Him Between 'Doctor Strange' Movies
-Taika Waititi as The Fame Hungry Director Making A Cameo In His Own Film (voice only--he's so humble!)
-Rachel House as The Best Damn Thing About This Film!!! The ONLY Serious Character! Yippeee!
Also Starring The Entire Asgardian Population Able To Fit Into A Somewhat Large Starship In A Matter Of Minutes Near The End Of This Comedy -er Super Hero Movie And Save Themselves From An Extinction That They Just Found Out About That Same Day! And ALL DONE IN AN ORDERLY AND AWFULLY QUIET MANNER!! What manners those Asgardians have! They rival the Earthly Chinese in their ability to control their emotions!! In fact I wish they were all Chinese because you didn't see too many Asian folks in this move. Oh, sure -you got a couple of blacks and Latinos. But the Asian number was waayy too low! Goddamn racist-ass director! HE'S ASIAN! The DIRECTOR IS ASIAN. Why didn't he put his own people in this film more!!?? I DON'T GET IT.
Thor: Ragnarok starts off with the jokes fast and furious. From it's opening scene (Thor about to be eaten?) by a big firey bastard to it's huge dud of a gag featuring Jeff Goldblum after the credits. After this opening scene you kinda gleam that Thor has been running and jumping around the Universe for whatever reason -but none of it matters because he's ended up in chains in front of a big fiery bastard waiting to kill him(?) or something. Anyway, none of that matters because Thor thinks it's all funny!
As the plot moves on more jokes and gags and stuff are thrown at you and you get some idea that deep within this movie something REALLY SERIOUS is about to happen. Millions or thousands of people (hmm. How many people / gods live in Asgard??) are gonna die if Thor doesn't find a way to stop something called Ragnarok from happening. After thinking he stopped it, he then runs into his big sister who turns out to be very evil and returning home to destroy Asgard too or claim it or something. But that doesn't stop anybody from smiling, making witty quips and stuff and any grief shown is laughable too like in the scene when the Norse God of Creation, Odin, dies or something. He kinda just vanishes having been fucked up in the head by his evil Son, Loki. Sounds like Loki is really the God of Creation if he can mess up the God of Creation's head that bad to the point that he no longer wants to live OR SOMETHING.
Anyway the jokes are still being thrown at you in the audience as more SOMETHINGS keep occurring. Each character is a goddamn joke-box nomatter who they are. I wish I could say that everyone in the audience was laughing but I saw this movie after opening weekend and it was just maybe 8 people in the audience and nobody laughed at all -well, someone laughed a bit on a few of the jokes but most were quiet. But the laughs he gave were those kinda 'that's a joke in a popular movie so I should laugh in support of it' kinda jokes so I guess that they don't even count.
Anyway back to that story or lack of it. After Odin 'dies' or something right in front of Thor and Loki these two clowns just sort of look at each other and nobody shows any real emotion at the event. You know the kind of emotion you'd see in a movie that was directed with someone with a shred of human empathy in their bones. A scene of Thor saying, "Father --no! No!", maybe would've sealed the deal but you don't even get that in this movie. But that's nothing compared to the way the director and producers and other circus owners and ringmasters handled an impending GENOCIDE by Thor's sister, Hella. That was the real joke of this film!
The Asgardians --who all looked and acted like motherfucking refugees caught between two warring religious factions and who were all waiting patiently for an American aid helicopter to drop some food on top of them --were truly PATHETIC. The art directors should be run out of Hollywood!! They just grabbed a bunch of clothing from the homeless shelter boxes you find on your big city corners and threw them on a bunch of actors who were probably paid in fucking donuts because none of them looked a tad interested in being there IN ASGARD or even showed any emotion demanding your attention. They all looked and acted like a FUCKING HERD OF MOTHERFUCKING COWS BEING SHEEP DOGGED INTO THE BARN AS THE FUCKING STORM CLOUDS WERE GATHERING OVERHEAD ON THE MOTHERFUCKING RANCH.
Anyway the Geek Machine has been racheted up on this film and the hype is excruciating. It's really a lousy-ass no-movie with no real reason for existing. People are heralding this colorful circus tent as some sort of 'reboot'. REBOOT? Compared to what? Marvel's other 'bad' movies? DC's shitty films? DC needs to reboot they're crap. Marvel's films have been doing fine BECAUSE they were taking this shit seriously. Kept the lightness at a minimum. Now here come the clowns! The same bunch that put out that brain-eluding shit called, 'The Force Awakens' (or as I like to call it, 'The Farce Awakens') or so it seems.
This is a fake FAKE super hero movie and the sooner it FADES away as an ANOMOLY in the otherwise serious and legitimate Marvel Cinematic Universe (MCU?) the better. But that will be asking too much for the REPEAT VIEWERS will make the Powers That Be (PTB?) think that MORE JOKES equal success so now expect to see Iron Man, Dr. Strange, and everybody else donning clown face and cracking jokes faster than the latest super villain can say, "Nothing can stop me now!"
The Final Word? Fuck this movie. It's a joke.
Copyright 2017 by George Alan Booker, All Rights Reserved. No part of this review should be tatooed onto your ass and paraded around inside a theater showing 'Thor: Ragnarok' in some misguided attempt at getting laughs.
(as you can tell, this is NOT a serious movie review. It's about as serious as this movie was. And that was a big fat ZERO on the dramatic scale)
When I look at this pic of the Justice League I'm not too impressed. I've seen the previews too. They are DEVOID of any indication of story. DEVOID of humor, DEVOID of a reason for me to watch it OTHER than to see Gal Godot's beauty and convincing potrayal of Princess Diana again.
I'm definitely gonna sit this one out and wait for the geeks to watch it and scream about what 'they' got wrong and right. But more importantly I'll be reading what the professional critics say -men and women working for big magazines and newspaper who's jobs rest on giving accurate portrayals of the HYPE that is thrown our way on a weekly basis.
If the movie is SHIT then GAL GaDOT will save it. If the movie is halfway decent then GAL GODOT will save it. If the movie is great it will be because of Gal Gadot. Who gives a fuck about those guys surrounding her. Ben Affleck's Batman is undeveloped. Cyborg is a big unknown. The Flash looks like a smart ass and Aquaman looks like a homeless guy with that beard...
Well. Let's see if they prove me wrong. DC is surely tired of Marvel's movies kicking their ass. It's time for them to give up trying to be the leader and time to FOLLOW -like they did with the Wonder Woman movie. They pretty much just imitated the tempo of Marvel's films, in particular the first Captain America movie and BAM! Wonder Woman was a hit movie. All that nonsense about it being directed by a woman was just that -nonsense. Good for women, but utter nonsense and had little to do with the success of the film. It was decent directing but not great. That film was fine right up until the end where there's your typical big battle with the raging villain who's way out of control, etc. etc. That end nearly ruined the whole Wonder Woman film and a great director would've seen that and changed / fixed it -made it better. Anyway, keeping my fingers crossed that there's a good story in this flick...
I read on the Internet that a Hollywood producer once offered movie tickets in exchange for sex to an entire audience waiting in line to see one of his rotten movies!! WTF is going on in Hollyweird!!?? How much sex do you need to finish a goddamn movie, Hollywood!? A lover per night the film is in production?? Two lovers at the wrap party?? An orgy before the Academy Awards??? Outrageous and EVIL. Sick and twisted!! And what's WORSE and unforgivable is that everybody is getting laid EXCEPT me, George Alan Booker! Hollywood needs to stop f*cking around and get back to what they do best, making bad movies.
And Disney PASSED this guy up, Anthony Ingruber, for that other guy (Alden Ehrenreich) set to play Han Solo. Can you believe the balls on those people?? To arrogantly shove a guy that doesn't resemble Harrison Ford down the collective throats of millions of Star Wars fans and then pour hyperdrive fuel down our throats to make it go all the way down into our Star Wars authenticity starved bellies!! Unbelievable!! The 3rd photo is a young Harrison Ford. Man, what fucking balls it took to pass this OBVIOUS choice up. I hope to fuck that this film is a massive critical failure for they deserve it. Now I've got to sit through nearly two hours of film waiting for a guy that doesn't look like Han Solo TO START RESEMBLING HAN SOLO. And that's IF I see the damn movie at all
To put this further into perspective, what if they changed how Chewbacca looked? Made him into a big yellow dog-like creature instead of the big brown one we know. Looks matter when you're telling a story. It's gonna decide how much you 'get into this' Han Solo movie or not. Like I said, you'll spend a little under 2 hrs trying to 'fit' the actor they chose into the boots of Harrison Ford. God help the film (or not) if there's a bad story too to try and survive watching.
Copyright 2017 by George Alan Booker, All Rights Reserved
Newspapers offline and on the web are reporting the low box office results of the recently released sequel to the classic scifi-noir drama, 'Bladerunner: 2049'. THIS MEANS NOTHING. The original 'Bladerunner' didn't make a great impact either upon landing. But like most great ideas it flew over the heads of the masses and slowly built up a cult following consisting primarily of the intellectually driven media consumers. Now, many years later, the world generally acknowledges that the first 'Bladerunner' was great. A classic slipped to us right under the fanboy noses. But the pros saw it for what it was: sheer genius.
Now 'Bladerunner: 2049', the sequel to 'Bladerunner' is here and enduring the same low box office result of the original. I went and saw this film and I've got to tell you, Ridley Scott, the director of the first 'Bladerunner' and now the producer of this new one, HAS DONE IT AGAIN. 'Bladerunner: 2049' is a textbook example of how a science fiction movie SHOULD BE MADE. It has created a world so believable that you never question it's reality on the screen. For you and the characters it is all occuring. All so damn well constructed artificial believability!!!!
I tell you I had a hell of time watching this film; a film that was not trying to impress you. It was only trying to tell you that we, our species, is headed for serious trouble when we start making androids so close to our own images that we cannot tell them apart (without special equipment). It's a movie about the near necessity of a slave work force in order to make sure that a large and presumably great endeavor takes place. This is a frightening thought, I know. For nothing justifies slavery. BUT what if you could justify it? That is the world of 'Bladerunner'. And what do you do with those slaves once their work is done?? That's 'Bladerunner''s problem and coincidentally the problem of African-Americans and the descendants of the slave owners, White Americans. That's how subliminal Bladerunner is operating on. That's how deep it's going. Doesn't matter if it made money, once you see it. Once you hear it, you will never forget it.
The movie is directed like clockwork by Denis Villeneuve. His hand is so deft and so purposeful that you forget that everything on the screen is being guided by him and those working with him. The seriousness of the film is what strikes you the best. It's no joke, living in a world RUN BY CORPORATIONS (sound familiar?). It doesn't seek to explain to you repeatedly what's occurring in this world. It hopes that you are not an idiot so much so that when the characters discuss the now radioactive wasteland of Las Vegas -made so by a 'dirty bomb', it never mentions the possibility or likelihood that Vegas fell victim to a terrorists attack. For a 'dirty bomb' is a weapon that terrorists can more likely get their hands on than a straight-up nuclear weapon.
But the casting of 'Bladerunner: 2049' is what's so dead-on about it. Done by Zsolt Csutak
Francine Maisler, Lucinda Syson , all of the characters are unassuming in their roles, as if they were born to play them. No favoritism here. No casting couches got these guys their roles. They fit the part. They got it. End of story. Ryan Gosling does his best at NOT BEING RYAN GOSLING. At not being a human. And it works. He manages to walk the line between Human and Almost Human perfectly. His LAPD (Los Angeles Police Department) commander RESEARCH is also very effective at being a woman with an almost personal mission at maintaining the order, or THE LINE that's been drawn (by the masses of humanity and not the corporations) separating a human being from a 'Replicant'. At times during the course of the film she appears to be the lone defender of that line and quiet effective at it. Other characters are also there for a reason. Take Harrison Ford's Rick Deckard. Rick Deckard is a man that has lost the love of his life, Rachel -a replicant, but he has not forgotten her at all. The love he had for her has not faded in many, many years. This is so emphasized in an exquisite scene that has to be seen to be fully appreciated; when corporate head RESEARCH, played hauntingly, 'cybernetically', by the weirdness exuding Jared Leto. What a scene when he meets Harrison Ford! What a scene when Ford's character is tempted by Jared's character to LOVE AGAIN if he will only do what Let's character wants him to do. NEEDS him to do.
The special effects are flawless. Kiss your laptop or PC tower tonight for this. For computers have made the unbelievable so believable that it's ridiculous. Did they film this shit from the future itself?? Every image tries to stay with you in this film. It's all so down-right well done. And I've seen a lot of science fiction films. This is some good stuff. Flying cars never looked so awesome! And what gets me about the 'Bladerunner' universe is it's appropriateness of it's future predicting. If and when we do get flying cars who do you think will covet them the most but the police departments?? None of that skyway traffic crunch shown in other films involving the future. How believable is that? No, cops will probably get those flying cars first --and if they get their way, the last.
Are you ready to see this movie yet? You should be. Now I warn you, if you do see it, put aside your expectations of what a movie should be. This is done in a more 'real time' feel, like a Stanley Kubric film. '2001: A Space Odyssey' style. It takes it's time. It doesn't give a fuck if you don't have the nearly 3 hours to spare to see this film. It's a masterpiece that no one is seeing. Not the slower folks out there. Only the smart people are seeing it for now. Then, years later, the slower ones will see it and they will call it a classic right along with the people who called it a classic from the start. 'Bladerunner: 2049' is lightning striking twice.
Stupid feminazis, ridiculous religious prudes and assorted politically correct yahoos threaten to turn ALL ADULTS into children again by making sure we can't talk about or see sexual organs or anything sex related in public or in entertainment!! SCREW these people and support films, comics books, music etc. that dare to push the limit in the name of art or truth. I for one am not returning to the days (of childhood) of talking about vaginas or penises as 'thingys' or enduring blurred out images of breasts or genital areas as if this was public TV or something. Especially in movies; and if it's rated R then don't take your brat into the flick then complain about seeing naked or semi-naked people talking about the very thing that brought you into this world: the sex act. Bunch of fucking ingrates in the world, I tell you. Ungrateful ass people.
Copyright 2017 by George Alan Booker
Haven't been on this thing in a while, taking care of business you know. Took time off to see the new, 'Kingsman' movie and boy that was worth it! I tell you, if you watch a movie late at night and it still entertains you then you know it's good. I nodded off a bit a few times but every time I woke up I loved what was happening!
The plot is simple: a MILF quality (Mom I'd Like To F*ck) drug lord [played deliciously by red head beauty, Julianne Moore] is determined to become a household name in the illegal drug industry and outside of it. Her only problem is that damn 'War On Drugs' that's been wasting American and Mexican and other countries' dollars for decades. She's devised a rather clever plan to ruin it but the only thing standing in her way is the Kingsman secrete agents. Well that means she's got to get rid of them, doesn't it? And that's where the thrilling action ballets come in!
Lot's of wild and incredible camera angles and single take looks at daring stunts and awesome bullet, whip, and whatever projectile thrown at you weapons play. It's all a display of Hollywood's technical bravado and just some damn good fun visual storytelling. But all of it is in the service of the plot; in fact, the most important thing about this movie (refreshingly) isn't the special effects and action --it's the story!!
Suprisingly enough there's a great and rather sophisticated story chugging underneath 'Kingsman: The Golden Circle'. The whole film is a satire on the current political situation in American (Conservatives and Trump), the worldwide condition of drug use (with special emphasis on the Philippines President Rodrigo Duterte and his unusual approach to 'curing' the drug problem: by KILLING drug lords and junkies!!), the importance of the media to all - including the bad guys - and the coming prevalence of drones and robots in warfare / crime. Whoever wrote this --(I'm too lazy to find that out...) is rather clever and most of it will probably go over the heads of all those who are not news savvy. You know, those people who NEVER pick up a newspaper or watch TV news shows. But who cares about them, right? They'll think this gem of an action-satire is too long and / or too unrealistic. But for those in the know this movie will have you laughing out loud and nodding your head in agreement with it's political / social viewpoint.
Well done, whoever made this movie! Can't wait until the next one!
ANOTHER Hollywood piece of trash filmmaking splashes down in your nearest theater's toilet!! 'TRANSFORMERS: Part Whatever'! This story is so bad that I rewrote it in order to entertain myself as I watched this dumbass movie. So kick back and enjoy my transformed Transformers (it's better than Hollywood's!)
'TRANSFORMERS: THE LAST KNIGHT' MOVIE REVIEW
STARRING (in army ant-like marching order)
-MARK WAHLBERG as Struggling Actor Unable To Make The Transition To More Serious Films
-ISABELA MONER as the actress with the sexy last name that no producer could ignore!
-JOSH DUHAMEL as the actor who threatened to quit 3 times during the making of the film.
-ANTHONY HOPKINS as the shameless Scrooge-actor out to make every single dime off of his past history of being a classy thesbian (rhymes uncomfortably with LESBIAN doesn't it?)
-MAN DRINKING COLD BEER as himself.
-BIG BUTT WOMAN SCREAMING AT OPTIMUS PRIME FROM ROOFTOP as herself.
-THE TRANSFORMERS as real space aliens who choose to work for free in order to help Hollywood offset the cost of illegal movie downloads and high agents' (not stars) fees.
-The NRA (National Rifle Association) in association with Planned Parenthood
-Jack Shakespeare (William Shakespeare's direct descendant)
SPECIAL EFFECTS BY
-Domino's Pizza (fake cheese masters)
ENEMIES OF THIS FILM
-The Motion Picture Academy
-The Screen Director's Guild
-The Actor's Guild
-The Movie Caterer's Association (food trucks)
-Every acting school and film school within the continental United States
SET SECURITY PROVIDED BY
-Bruce Lee Tea
BEST NONE MOVIE QUOTE:
"I want my check, motherfuckers. And I want it by the end of the day." -Bill the Studio Janitor
In a world increasingly turning to green or natural resources for fuel the gasoline guzzling Transformers set out on a mission to prove that climate change is a lie and that gasoline is still the best way to get from zero to 60 MPH in under one minute. But their evil, ex bad guy nemesis, Megatron, has vowed to stop them!
Another Michael Bay special effects jerk-off fest!!! Hell yeah!! I brought by cybernetic nerd-boy raincoat to stroke off in the corner of the theater at all of the disguised male testosterone splashed up on the screen!! When I came I screamed out, "Michael Baayy!! I fucking love you!!!" Then the surly usher came in a said, "Shut the fuck up, you creep! You're disturbing the other viewers!"
This film was great! Go see it right now and don't pay like I did by donning a pair of Dickey's worker clothing and telling the stupid theater employees that you're there to check the HVAC (air conditioning). They'll wave you through.
THE BOTTOM LINE:
Stay at home and mail your money to the studios with a letter that states, 'PLEASE REMOVE THIS WORTHLESS CRAP FROM MY LOCAL CINEMA. THANK YOU'. This way you can be honest and kinda hip by telling your idiot pals that did see it that you paid to NOT see it.
Copyright © 2017 George Alan Booker -All Rights Reserved on this planet (Earth) or any of the new planets recently discovered by NASA.
Doesn't get any more wonderful than Gal Godot as Wonder Woman. With kick-ass action scenes she's terrific to behold.
Thanks to the shitty story by Zack Snyder and company (wouldn't you know!) the underused but perfectly villainous Doctor Poison, played succinctly by Spanish actress Elana Anaya, only gets limited screen time. But what she does with it is terrific.
Don't believe ALL of the hype! Wonder Woman is an OK film. It soars ONLY because of Gal Gadot. After you get past her the rest of the film is a bunch of cliched ideas that are poorly executed themselves.
Let's start off with the good though: It was smart to place the action in Wonder Woman in the past. Super hero films work best when we see them during the actual time they were meant for (meaning the era of their creations). 'Captain America: The First Avenger' did this and now the Wonder Woman writers, knowing full well that DC Comics / Warner Bros. needs a hit, were wise to take it as an example and put the lovely Amazon princess in the past. Fighting with American soldiers in the latter stages of World War 1. There are a few more good ideas too, such as not attempting to obliterate the Greek mythology angle that set the stages for the character's existence. Marvel's Thor did a shoddy job with this. If you remember the first Thor movie the writers had the nerve to claim that the Norse Gods were not really gods at all but 'demi-gods' or basically wannabes. This was a travesty of religious history and revealed their religious bias. But fuck them, Wonder Woman's writer(s) got it right. But after these two story elements the rest of the story turns into typical Hollywood Fake Blockbuster plotting, the more intricate details of which I'll let you go to the movie and see for yourself.
Now, the bad stuff: The bad in this film is really pathetic and has to do with some basic film school principals being ignored by the creators. Mainly this movie is riddled with CONTINUITY PROBLEMS, some of which were OUTRIGHT EXAMPLES OF STUPIDITY. The first one being a scene where WONDER WOMAN saves the WW1 pilot Steve Trevor from drowning. After she pulls the lucky bastard from the ocean they cut in for some medium shots of them on the beach and these two characters DO NOT APPEAR AS THOUGH THEY WERE JUST 10 OR 20 FT DEEP in the ocean only mere minutes ago. They should've been drenched with water and it should've been in their fucking eyes, noses, everywhere but it wasn't. That was some bullshit.
The SECOND big continuity error was how Wonder Woman kept changing clothing during the fast paced action without the audience being shown her taking off her more bulky armor and placing it in a handbag or something to carry around with when needed. Instead whenever she changed into regular clothing to blend in with the human beings then changed into wonder woman you were left wondering WHERE THE HELL WAS SHE KEEPING THIS ARMOR AT AND HOW DID SHE MANAGED TO KEEP IT ALL HIDDEN UNDERNEATH THESE PARTY DRESSES AND OTHER CLOTHING, ESPECIALLY HER WONDER SHOES (sandals or whatever??) This shit got to be fucking stupid after a while. The stupidity reached a crescendo when Wonder Woman attends a PARTY FULL OF DIPLOMATS --which the filmmakers did not show how she got past the necessary security for an event like that --with the HILT OF HER SWORD STICKING OUT OF THE BACK OF HER BACKLESS PARTY DRESS. This was so goddamn ridiculous that you wondered if every German general and party goer in the fucking movie was some how immune to assassination attempts. This was some downright stupid amateur filmmaking 'mistakes', people. You got to see this dumb ass scene to believe it! It was a dumb, dumb mistake for the filmmakers to get rid of the classic TV show's Wonder Woman's ability to transform into her super hero costume by spinning. If they had then they would have neatly tied the past TV show with the present Wonder Woman in the eyes of fans young and old. A great opportunity lost perhaps forever now.
The THIRD big continuity error (SPOILER WARNING) is when a lead villain who at first appeared to be an older trusted member of the allied forces turns out to be an evil god in disguise. Now when this guy finally reveals who he is his body undergoes a MASSIVE transformation. Big fucking muscles and height and all, just to fight Wonder Woman. BUT guess what? His face does not change at all!! WTF. Is he still trying to hide his God-Face from Wonder Woman in this big battle with her? If you planned on disguising your real face again then just do it whenever that time came. There's NO REASON FOR THE VILLAIN TO HAVE HIS HUMAN FACE DISGUISE sitting on top of his real or stronger or whatever God-like body. It looked rigoddamndiculous!!! Again, you got to see this stupid continuity error for yourself!!
All in all this movie, with it's clumsy visual storytelling mistakes and all is worth it. Were it not for Gal, this film would've been the next installment in DC's bullshit-ass motion picture collection. Whatever they paid her it wasn't enough. Oh, and by the way, I wasn't surprised to see the name of Zack Snyder listed as one of the 'Story' creators on this movie. Why is this guys still involved in super hero films after those two fucked up super hero tales, The 'Superman' relaunch film and 'Batman Vs Superman' movies???? What the fuck is going on there at DC Comics / Warner Bros. with this guy?? Are they all 'pals for life' or something?? He's a lousy fucking writer!! Stop letting him write until he takes a course in writing / storytelling or something! Fuck! Nearly everyone of his super hero films has a big FAKE armegeddon size battle at the end. All feel forced and artificial! He had a hit with his FRANK MILLER WRITTEN '300' movie and now all of a sudden everyone thinks he's some hot-shot master of comic books-to-film projects. This is some bullshit, I tell you. Some absolute bullshit. '300' was HISTORICAL FANTASY for one thing, not super hero films!! Let me repeat that: HISTORICAL FANTASY and not SUPER HERO FILMS. Stop assuming that people who can swim fast can also run fast too! Give some professional writers a fucking chance, why don't you . Fans don't give a flying fuck if the latest hot shot director is not WRITING the movie. Fans want good stuff, that's it! Stop lowbrowing this shit! Stop dumbing shit down for the two or 3 idiots in the audience. Raise your fucking writing standards. This Wonder Woman story is shit! Full of goofy, unbelievable characters! Gasp.
One note: A pleasing surprise was the actress and character that played the German poison gas expert -Elana Anaya / Dr. Poison. She was the ONLY character besides Wonder Woman and Steve Trevor that even felt realistic. The rest felt like cardboard cut-outs!
Copyright 2017 George Alan Booker (remember! send your hate mail and death threats to email@example.com)
I'm George Alan Booker and I created the character known as Zombie Racer and then everyone and his mother started turning it into shitty video games and smelly gym shoes on the Internet so now it's just all over the damn place. Anyway I used to work in comic books, animation, and TV advertising storyboarding. Now I'm returning to comics again with the start of this website. Check the site ledger on the Home Page (Graphic Storytelling.com and Gallery subheadings listings) for samples of my artwork. Follow me on Facebook at www.facebook.com/zombieracer for satirical jokes and political commentary (it's where I chill at).